NYBALF returns to Harlem, September 18–20. Free Festival Registration is open →
Kọ́lá Túbọ̀sún
Poet • Scholar

Kọ́lá Túbọ̀sún is a Nigerian poet, linguist, translator, filmmaker, and publisher. His three poetry collections are Edwardsville by Heart (Wisdom's Bottom Press, 2018), Ìgbà Èwe: Translated Poems of Emily R. Grosholz (2021), and Èṣù at the Library & Other Poems (2024). He is a co-founder of The Brick House Cooperative (2020), publisher of OlongoAfrica, and Africa co-editor of the Best Literary Translations anthology (Deep Vellum, 2024–). He is the editor and publisher of the annotated reissue of Ọlábísí Àjàlá's An African Abroad (OlongoAfrica Press, 2022). His film Ebrohimie Road: A Museum of Memory (2024) is held in the African Studies collections of Harvard, Yale, Columbia, Penn, and the University of Chicago. A pioneer of African digital humanities, he led the introduction of Nigerian English to Google's voice recognition systems and consulted for the Oxford English Dictionary's inclusion of 29 Nigerian English entries. A former Fulbright Fellow (Southern Illinois University Edwardsville, 2009) and Chevening Research Fellow at the British Library (2019–20), he is the first African to receive the Premio Ostana Special Prize (2016). He lives between Lagos and Minneapolis.
Events featuring
this guest

Saturday Sept. 19 2026 • 4:00 PM | Harlem Stage Gatehouse
Mahmood Mamdani: Slow Poison
Mahmood Mamdani · in conversation with Kọ́lá Túbọ̀sún
Mahmood Mamdani has spent his career examining how colonial rule built political identities and divided populations into native, settler, citizen, and stranger. Slow Poison: Idi Amin, Yoweri Museveni, and the Making of the Ugandan State brings those questions into the history of modern Uganda and into Mamdani’s own life. In conversation with Kọ́lá Túbọ̀sún, Mamdani considers what holds a nation together, what takes it apart, and how political communities are slowly reorganized into competing forms of belonging.

Sunday Sept. 20 2026 • 11:30 AM | Harlem Stage Gatehouse
The Market and Popular Literature
Kọ́lá Túbọ̀sún · Kurt Thometz · Uju Anya
Between the late 1940s and the end of the 1960s, traders, printers, and schoolteachers in Onitsha turned a riverside market into one of the most prolific publishing scenes in modern Africa. Their pamphlets offered lessons in love, city life, etiquette, ambition, morality, and survival in an English that was inventive, unruly, and entirely its own. This conversation returns to Onitsha Market Literature and the wider traditions of popular writing it belongs to, asking where Nigerian literature begins, who literature is made for, what ordinary readers have always wanted from books, and what today’s publishing debates might learn from writing that flourished without metropolitan permission.
